In the final days of the 1960s, when the psychedelic scene was all but burning out, it was told that a band would one day come to us, able to use the dying essence to create innovative new sounds. Dismissed over the decades as nothing more than an impossible myth, rumours suddenly began circulating around Bristol that such a band had arrived. Rumours have become fact. The band is here. The band is The Moles.

Those that missed the 60s, claim that The Moles represent the continuation of what Blur and Flaming Lips started. For those that saw the psych era; 13th Floor Elevators and Small Faces. One definite remains, the prophecy is fulfilled, unprecedented in their ability to capture what was, peerless in the originality of their song writing. Their incredible musicianship and showmanship come together at their live performances to validate what people already know.

How does such a thing happen? Start with Brin Davis, whose lyrical prowess is matched only by his melodic abilities. From there, go and grab Billy Fuller, bassist from Fuzz Against Junk and Beak, as well as winning a Grammy Award with Robert Plant. Then get some deceivingly complex drums, we recommend one Steve Drew. This already delicious concoction is then layered over the top with the beautiful guitar parts that only come with Dan Chandler. Add in some harmonies at your pleasure and you have created The Moles.

Those that have already seen The Moles shower them with justified praise, being titled as “Goliath-esque talent” and “the greatest band on the planet”. Whilst being true, there is only one way to know that the revolution has begun. Witness The Moles.